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10 years ago
Action & Direction: 2 requirements for an adventurous life; specifically regards NYC history and spectacle.
Our neighbor, Shai Kessler, happens to be a highly accomplished chef, having worked for such NYC institutions like Bloomingdales as well as hotshot new restaurants like Dovetail on the Upper West Side. Regardless, we are all busy New Yorkers and hardly ever get to sit around and appreciate the man's talent for cookery. Its not like we want to give tours to our friends on our days off, and he sure as hell isn't interested in cooking for neighbors and hangers on.
But when his roommates, Thomas & Samantha, a wonderful married couple from Tennessee had their fancy digital SLR camera stolen from them, off Sam's neck, while they were asleep on the L train on Christmas Eve! . . . Shai decided to do something about it. He did the thing he's best at - get friends and neighbors together for a homecooked meal / benefit to help the kids buy a replacement camera. That's how we found a quirky invitation with a plump bird slapped up top slipped under our door.
We put on our fancy dinner jacket and slippers, walked the 20 feet down the hall with a bottle of organic red and the requested $20 donation in hand, and joined a raucous party in progress. We also did our part in party production by donating our banquet table and most of our chairs. We nibbled on olives and introductions before the first course, a sumptuous Roasted Quail in a sherry reduction augmented by a tart lentil salad.
The benefit seemed on the successful side, as had any more than 20 arrived, there'd be no place to put their butts or wine glasses. Two couches, a flight of stairs, three tables, seven chairs and various flat surfaces were all quite accommodating, and plates of food were being balanced on bookshelves, countertops, hands, laps and the aforementioned banquet table. Sam and Thomas (pictured above left and right) made a speech that brought a few to wipe their moist eyes. More wine!
Second course was a delightful Coq Au Vin, surrounded in a pomme puree and augmented by wilted winter greens. As the various party people (and Josh, above,) can attest, the dishes were basically licked clean by slightly tipsy revelers.
With dessert - a scrumptious Cardamom Flan encircled by a Rose Petal sauce - came the post-prandial Ports and Sherrys, as well as a rousing game or three of Apples to Apples, the best party card game in the world. After hysterical comparisons and more wine, port and sherry (but no more food - we all had our fill) it was time to head home. We, in the most delicious food and wine induced coma, thanked our fortunes to know such good people who have such good taste.
Flushing started out its lengthy history as a Dutch trading village called Vlissingen. Always a center for ethnic diversity and religious tolerance, proved as such way back in 1657 with the Flushing Remonstrance, which allowed Quakers and others to worship freely, against the wishes of the New Netherlands Governor (and mean son-of-a-bitch) Peter Stuyvesant. The Remonstrance is widely considered a birthplace of religious freedom in the new world.
A few weekends back, we attended the sanctification of an an antinomian church, located deep along the border between Bushwick and Ridgewood. We'd been to the Christian Center Sanctuary of Hope before & had participated and written about the experience and art-exorcism of Gordon Matta-Clark. So we were excited about returning and reviewing the latest event slash artattack to take place far away from the well-trod artist paths of Williamsburg and the LES. The Christian Center Sanctuary of Hope (for simplicity's sake, CCSH) is a former storefront-turned-Latino-Roman-Catholic-church-turned-vacant-room-turned-artist-haunt-slash-performance-space, run by three friends of ours: Matthew Blair, Lech Szporer and Andrew Wingert.
The playbill promised a lot: performances, photography, hot liquored drinks, theater, mime, noise band, and possibly the sacrificing of a live chicken named Lucy. When we arrived at the CCSH we were impressed by the full house of young creative peoples jamming the floor, drinking hot toddies and exploring the decor, which included: tree branches rising out of dirt mounds on the wooden floor; two enormous church pews built on risers facing the stage; a ceiling-suspended rope web large enough to climb into, laden with dangling church organ pipes; candles spinning on a Victrola player; vintage radio microphones and more. The carefully constructed aesthetic of slow but beautiful decay contributed to the atmosphere.
The opening act consisted of a not-quite-goth girl playing some plaintive songs on guitar, with good intention. Following the music, Becky the Burlesque performer as Neurotic Jewish Mother Necrophiliac. The stand-up routine that followed would've given Woody Allen a hard-on and material for his analyst. The act subsited of both a comic monologue and a live example of teabagging corpses set to Celine Dion. Subtlety it wasn't, and life-shifting it absolutely aint. Then the third act.
Then Lucy the chicken came into the picture. Lucy was supposedly due to meet the chopping block right on the floor of CCSH, but an unnamed woman in tears (who according to Mr. Blair, wasnt part of the show) rushed the stage and made a plea to spare the chicken's life. Another shifting moment, bringing an audience member to interrupt the show. Lucy, along with Ann-Liv Young eventually escaped, courtesy of Ms. Young, her videographer Michael, and a getaway car waiting outside.